Moments of experience become a single extended second and in it one begins to hear what one sees- the swish of the garment in Big Mama, the cry of the artist Christ in Persecution Salvation, the pulling together of the female and male in Forgiveness, the parting of the wind as the Dancer moves to occupy his space. 

It is then, only then, when one can psychically experience this sonic transmogrification, that one realizes that this experience is only possible because Roberts has brought all he has to this work and left it there.

Reviews by Erica James, Curator of the National Gallery of The Bahamas.